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	<title>Comments on: Last House on the Left</title>
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		<title>By: joop12</title>
		<link>http://www.allhorrorfilms.com/all-horror-films/cult-erotic-films/last-house-on-the-left/comment-page-1/#comment-102</link>
		<dc:creator>joop12</dc:creator>
		<pubDate>Fri, 12 Mar 2010 12:44:43 +0000</pubDate>
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		<description>good movie from the seventies</description>
		<content:encoded><![CDATA[<p>good movie from the seventies</p>
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		<title>By: ShaunAnderson001</title>
		<link>http://www.allhorrorfilms.com/all-horror-films/cult-erotic-films/last-house-on-the-left/comment-page-1/#comment-42</link>
		<dc:creator>ShaunAnderson001</dc:creator>
		<pubDate>Sun, 20 Dec 2009 22:37:35 +0000</pubDate>
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		<description>Good to see you reference Bergman&#039;s &quot;The Virgin Spring&quot; and you&#039;re right to mention the symbolic way that Bergman&#039;s film works. Craven&#039;s is totally devoid of symbolism, opting instead for brutal realism instead of abstraction. Of course Last House itself has been somewhat recuperated by its own apparent allegorical nature - in this case a reflection of attitudes to violence during the Vietnam conflict (or is this just a case of Craven - who likes to think of himself as an arty cut above the rest&#039;s attempt to make his film more than the vile exploitation film it is?). I think the one major weakness of the film is a narrative that hinges on a totally contrived coincidence - what are the chances of the gang of scum bags actually happening upon the home of their victim?</description>
		<content:encoded><![CDATA[<p>Good to see you reference Bergman&#8217;s &#8220;The Virgin Spring&#8221; and you&#8217;re right to mention the symbolic way that Bergman&#8217;s film works. Craven&#8217;s is totally devoid of symbolism, opting instead for brutal realism instead of abstraction. Of course Last House itself has been somewhat recuperated by its own apparent allegorical nature &#8211; in this case a reflection of attitudes to violence during the Vietnam conflict (or is this just a case of Craven &#8211; who likes to think of himself as an arty cut above the rest&#8217;s attempt to make his film more than the vile exploitation film it is?). I think the one major weakness of the film is a narrative that hinges on a totally contrived coincidence &#8211; what are the chances of the gang of scum bags actually happening upon the home of their victim?</p>
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